This page provides information on the Velocity Render Element.
The Velocity Render Element stores surface velocity for moving objects in the scene with different colors representing different velocities. It can be either a color or grayscale image. Each moving object is rendered with a flat color or gradient. It is commonly used to create mattes for adding motion blur in a composite.
The shading in the Velocity Render Element is determined by the degree of motion for each object's pivot point. The object's motion between the current frame and the next frame on the X, Y, and Z axes is mapped to R, G, and B components, with movement along the negative axis as 0 and movement along the positive axis as the maximum value. For example, a white object has moved at the maximum velocity on all three axes in a positive direction, while a black object has moved at the maximum velocity in negative direction on all three axes. A pale yellow object has moved a great deal on all three axes in the positive direction, but mostly on X and Y, while a dark purple object has moved on the -X and -Z axes. A medium gray color indicates no motion.
Because of the relationship between XYZ motion and RGB colors, the Velocity Render Element can be easily split into R, G, and B components during the compositing process and each direction can handled separately or together to add motion blur.
UI Path: ||Render Elements panel|| > Basic rollout > Motion Vector - Velocity
A common workflow for using this render element is to first locate the frame in the sequence that has the most motion, render the frame in Modo with the Velocity Render Element enabled, and then note the max velocity in last frame value, which is displayed in the parameters for this render element. Finally, enter this value (or a slightly larger value) for the max velocity parameter when rendering the entire sequence. This workflow provides the maximum range of colors in the Velocity Render Element for the most flexibility during compositing.
The Velocity Render Element is useful for adding motion blur in post production at a composite level without the need for re-rendering. In the composite shown below, motion blur was added to the falling cherries based on the amount by which the color differs from medium gray. In this example, the camera's depth of field has been turned off so the effects of motion blur at a composite level can be better seen.
Velocity Render Element
Item mask created for the animated falling cherries
The Z Depth Render Element used for depth of field in the final composite
Beauty Composite with motion blur added to the falling cherries
using the Velocity Render Element