This page provides information on the Light Cache rollout in the Render Settings.
This rollout is accessible when Light cache is selected as the Engine for Primary bounces or Secondary bounces in the GI rollout. See the Light Cache GI topic for more information on how this option works.
||Render Settings window|| > GI tab > Light cache tab
(When Light cache is selected as a GI engine)
Dragging and dropping a .vrlmap file into the active viewport sets the secondary GI engine to Light Cache and the Mode to "From file".
These parameters affect the calculation phase of the light cache; they do not affect the final rendering until the light cache is used.
Subdivs – Determines how many paths are traced from the camera. The actual number of paths is the square of the subdivs (the default 500 subdivs mean that 250 000 paths will be traced from the camera). For more information, see The Subdivs Parameter example below.
Sample size – Determines the spacing of the samples in the light cache. Smaller numbers mean that the samples will be closer to each other, the light cache will preserve sharp details in lighting, but it will be more noisy and will take more memory. Larger numbers will smooth out the light cache but will lose detail. This value can be either in world units or relative to the image size, depending on whether or not the World scale option is checked or not. For more information, see The Sample Size Parameter example below.
Show calc. phase – Enabling this option will show the paths that are traced. This does not affect the calculation of the light cache and is provided only as a feedback to the user. This option is ignored when rendering to fields - in that case, the calculation phase is never displayed.
Store direct light – When this option is enabled, the light cache will also store and interpolate direct light. This can be useful for scenes with many lights and irradiance map or direct GI method for the primary diffuse bounces, since direct lighting will be computed from the light cache, instead of sampling each and every light. Note that only the diffuse illumination produced by the scene lights will be stored. If you want to use the light cache directly for approximating the GI while keeping the direct lighting sharp, uncheck this option.
World Scale – Determines the unit scale for the Sample size and Filter size parameters.
When enabled, sizes are fixed in world units everywhere. This can affect the quality of the samples. For example, samples that are close to the camera are sampled more often and appear smoother, while samples that are far away are noisier. This option is often the best choice for fly-through animations, since it forces a constant sample density everywhere.
When disabled, units are fractions of the final image (a value of 1.0 means the samples will be as large as the whole image). Samples that are closer to the camera are smaller, and samples that are far away are larger. Note that the units do not depend on the image resolution. This value is best suited for stills or animations where the light cache needs to be computed at each frame.
For more information, see The Scale Parameter example below.
Use light cache for glossy rays – When this option is enabled, the light cache is used to compute lighting for glossy rays as well, in addition to normal GI rays. This can speed up rendering of scenes with glossy reflections quite a lot. When you use this option, it is recommended to also enable the Use retrace threshold option, which prevents the light cache from being visible in very glossy surfaces.
Use camera path – When this option is enabled, V-Ray calculates the light cache samples for the entire camera path, instead of just the current view, in the same way as this is done for the Fly-through mode. This is useful when rendering animations with moving objects where the camera also moves and the light cache needs to be in Single frame mode. In this case, enabling this option helps to reduce any flickering, as the GI sample positions on static geometry will not change.
Mode – Determines the rendering mode of the light cache:
Single frame – Computes a new light cache for each frame of an animation.
Fly-through – Computes a light cache for an entire fly-through animation, assuming that the camera position/orientation is the only thing that changes. The movement of the camera only in the active time segment is taken into consideration. Note that it might be better to have the World Scale option enabled for fly-through animations. The light cache is computed only at the first rendered frame and is reused without changes for subsequent frames.
From file – In this mode the light cache is loaded from a file. The light cache file does not include the prefiltering of the light cache; prefiltering is performed after the light cache is loaded, so that you can adjust it without the need to recompute the light cache.
File Name – Specifies the file name to load the light cache from, when Mode is set to From file.
Don't delete – Allows saving of the light cache to a file on disk for later re-use. Note that the option must be enabled to allow saving of the file; the light cache will be deleted as soon as rendering is complete and it will not be possible to save it.
This group of controls determine what happens with the light cache after rendering is complete.
Don't delete – When enabled (the default), the light cache remains in memory after the rendering. Disable this option off to automatically delete the light cache (and thus save memory).
Auto save – When enabled, the light cache will be automatically written to the specified file. Note that the light cache will be written as soon as it is calculated, rather than at the actual end of the rendering.
Auto Save File – Specifies the file name to save the light cache to.
The Subdivs parameter controls the number of rays that are shot into the scene, and the "noise" quality of the light cache samples.
Here is a scene rendered with different settings for the Subdivs parameter, all other settings are the same.
As we add more samples, the noise is reduced, but the render times increase.
The Sample size parameter controls the size of the individual light cache samples. Smaller values produce a more detailed lighting solution, but are noisier and take more RAM. Larger values produce less detail, but take less RAM and may be faster to calculate.
Here is a scene rendered with different values for the Sample size parameter. All other values are the same.
Note the difference in the noise level between the samples.
The World Scale option determines whether the Sample size and Filter size parameters are in screen space, or world space.
In the table below the World Scale checkbox is not enabled, meaning that the Screen scale is used, and the scene was rendered with different image and world sizes. The Sample size was constant (the default value of 0.02) for all images.
As you can see, we always get the same number of light cache samples for all cases, regardless of resolution or scene size - in fact, when scaled to the same size, the images look identical. This is why the Screen Scale is applicable to a large variety of scenes.
In the table below, the World Scale mode was used. Again, the scene is rendered at three different resolutions and scales, but with the same light cache parameters. The sample size was set to be 1/6th of the sphere radius in the scene at normal scale.
You can notice that the number of samples again does not depend on the image resolution, but it does depend on the scene size.
Also notice how the samples near the camera appear larger because of the perspective - in comparison to the Screen scale mode, which compensates for this effect and tries to make the samples with more or less equal size on the image.
These parameters control how the light cache is used in the final rendering, after it has been calculated.
Filter Type – Determines the type of render-time filter for the light cache. The filter determines how irradiance is interpolated from the samples in the light cache.
None – No filtering is performed. The nearest sample to the shaded point is taken as the irradiance value. This is the fastest option, but it may produce artifacts near corners, if the light cache is noisy. You can use pre-filtering (see below) to decrease the noise. This option works best if the light cache is used for secondary bounces only or for testing purposes.
Nearest – This filter looks up the nearest samples to the shading point and averages their values. This filter is not suitable for direct visualization of the light cache, but is useful if you use the light cache for secondary bounces. A property of this filter is that it adapts to the sample density of the light cache and it's computed for a nearly constant time. The Filter samples parameter determines how many of the nearest samples to look up from the light cache.
Fixed – This filter looks up and averages all samples from the light cache that fall within a certain distance from the shaded point. This filter produces smooth results and is suitable for direct visualization of the light cache (when it is used as the primary GI engine). The size of the filter is determined by the Filter size parameter. Larger values blur the light cache and smooth out noise. Typical values for Filter size are 2-6 times larger than Sample size. Note that Filter size uses the same scale as the Sample size and its meaning depends on the World Scale check box.
Prefilter – When this option is enabled, the samples in the light cache are filtered before rendering. Note that this is different from the normal light cache filtering which happens during rendering. Prefiltering is performed by examining each sample in turn, and modifying it so that it represents the average of the given number of nearby samples. More prefilter samples mean a more blurry and less noisy light cache. Prefiltering is computed once after a new light cache is computed or loaded from disk.
Prefilter samples – Controls the number of samples taken during prefiltering.
Depth – Determines the length of the light paths to be traced. It is important to note that even though in Light cache the depth is limited, due to the recursive nature of this method there will be longer paths in the end result.
Filter Samples – When Filter Type is set to Nearest, this parameter determines how many of the nearest samples to look up from the light cache.
Filter Size – When Filter Type is set to Fixed, this parameter determines the size of the filter. The unit scale of the value is determined by the state of the World scale parameter.
Leak prevention – Enables additional calculations to prevent light leaks and reduce flickering with the light cache. 0.0 disables the leak prevention. The default value of 0.8 should be enough for all cases.
Use retrace threshold – When enabled, this option and its corresponding Retrace threshold value improve the precision of global illumination in cases where the light cache will produce too large an error. This is especially obvious with the Use light cache for glossy rays option, or near corners where light leaks might be possible because of the light cache interpolation. For glossy reflections and refractions, V-Ray dynamically decides whether to use the light cache or not based on the surface glossiness and the distance from it so that the errors due to the light cache are minimized. Note that enabling this option can increase render time.
The first set of images shows how the Use retrace threshold option alongside the Retrace threshold value can be used to reduce light leaks due to the light cache interpolation. The scene is an interior with parts of the exterior visible. For the GI settings, Brute Force is used for primary bounces (it is selected as the Primary engine in the GI tab of the Render Settings) and Light cache is the Secondary engine.
The bright light cache samples from the exterior blend with the darker samples from the interior, causing light leaks when the light cache is calculated. The Use retrace threshold option (with the default Retrace threshold value of 2.0) successfully resolves the problem at the expense of increased calculation time for the light cache. When disabled, corners in the scene produce light leaks and inaccurate shadows. This is visible in the shelving unit and on the ceiling's adjacent wall. When enabled, light leaks are successfully eliminated at the expense of longer calculation time.
The second scene in this example shows how the Use retrace threshold option can be used to improve the appearance of glossy reflections and refractions with the Use for glossy rays option. In this case, V-Ray dynamically decides whether to use the light cache or not, based on the glossiness of the surface and the distance from it.
Without retracing, the light cache samples are clearly visible in the glossy reflections and refractions.
In this third example, when Use retrace threshold is turned on, the Retrace threshold value determines whether the brute force will be used instead of light cache near corners or objects that are close together. When the Retrace threshold is greater than 0, only brute force is used, which helps give a far more accurate result, although this may slow down rendering. However, if the Retrace threshold value is 0.0, then only the light cache will be used and thus, retracing is disabled. This will be faster but less accurate and more prone to noise and artifacts from light leakage.
If a higher Retrace threshold value is used, while light leakage and artifacts disappear, brute force would be used for a larger area and, as a result, the render may appear more noisy. Therefore the default value of 2.0 is sufficient in most cases.